前(qián )身是皇軍(👷)軍港的吳(✒)港,戰後成(🏽)為(wéi )船塢(wù )工人的(🕋)生活煉獄(yù )(🛍)。在資(🤢)本家剝削和枯燥生活的雙重煎熬下,躁動的年(nián )輕生命(👋),一頭栽進(🌗)暴力漩(xuán )渦,延擱成長,終日在(🤷)打(dǎ )鬥、賭博(🕯)、酗酒(💆)中尋找暫時的麻(má )醉。吉(jí )田(tián )喜重通過(guò )工頭之眼(🙁),對(🚸)不合理的社(🕕)會現實(🐖)作出欲(💞)迎(yíng )(⏺)還拒(jù )的(de )批判,被視(🌚)為日本新浪潮代(dài )表作之(zhī )一(yī )。香山(㊗)美(měi )(🥎)子飾(💻)演純真的酒館女(nǚ )待,同情工人卻慘被強姦,正(⏰)與(🈴)負的能量,在大時代(dài )中比拼互(💠)滲,可有(🤳)超越對(🕐)與錯,是與非(⚾)的位置?片(piàn )末火車站(zhàn )送別(bié )(🏉)一(yī )場(🍑),在家和社會之間,吉田喜重(chóng )作(🐨)出了左(zuǒ )翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (💝)- SummerIFF 2007
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